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Exhibitions


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FUGGISOLE

Marco Andrea Magni

16 Feb 2019 — 12 Apr 2019

Future

Past

We are not used to remembering things that will happen

Serena Vestrucci

16 Nov 2018 — 11 Jan 2019
Artissima2018

Mirthe Klück, Marco Andrea Magni, Serena Vestrucci

31 Oct 2018 — 03 Nov 2018

João Freitas

14 Sep 2018 — 04 Nov 2018

Mirthe Klück

04 May 2018 — 06 Jul 2018
miart 2018

Mirthe Klück, Marco Andrea Magni, Eugenia Vanni, Serena Vestrucci

10 Apr 2018 — 13 Jul 2018
Il Paradigma di Kuhn – atto secondo
26 Jan 2018 — 27 Feb 2018
20 Jan 2018 — 30 Mar 2018
ArtVerona 2017

Marco Andrea Magni, Eugenia Vanni, Serena Vestrucci

12 Oct 2017 — 14 Oct 2017
Ogni colore dipinge se stesso e anche gli altri

Eugenia Vanni

29 Sep 2017 — 10 Nov 2017
Extra Moenia

Helena Hladilovà, Namsal Siedlecki

28 Jun 2017 — 10 Sep 2017
Miart 2017

João Freitas, Marco Andrea Magni, Oscar Abraham Pabón

12 Apr 2017 — 15 Apr 2017
Lo Spazio Punto

Marco Andrea Magni

05 Dec 2016 — 17 Feb 2017
An Archaeology of The Oath

Oscar Abraham Pabón, Eugenia Vanni

30 Sep 2016 — 27 Nov 2016
Notte in Bianco

Serena Vestrucci

01 Apr 2016 — 27 Jun 2016
Lotteria Immanuel

Christian Manuel Zanon

18 Jan 2016 — 03 Mar 2016
Tapping in The Dark

Edith Dekyndt, Sophie Giraux, Mario De Brabandere

21 Sep 2015 — 20 Nov 2015
To Be Titled

João Freitas

01 May 2015 — 24 Jun 2015
Vaalbara

Giovanni Giaretta, Renato Leotta, Cesare Pietroiusti

16 Feb 2015 — 11 Apr 2015
Allegoria #2. La Pittura Oltre se Stessa

Angelo Sarleti, Michele Tocca

18 Sep 2014 — 18 Nov 2014
Point of view: pitture imperfette

Sara Enrico, Helena Hladilovà, Pietro Manzo, Giovanni Oberti

15 Mar 2014 — 25 May 2014
De Sculptura

Giulio Delvè, Namsal Siedlecki

23 Sep 2013 — 15 Nov 2013
RSVP Contemporary art in private spaces

Emanuele Becheri, Ettore Favini

14 May 2013 — 14 May 2013
Il Primo Giorno di Sole

Serena Fineschi

03 May 2013 — 29 Jun 2013
Genealogia #3

Francesco Carone

08 Mar 2013 — 29 Apr 2013
Più Giovani di Così non si Poteva

Marco Andrea Magni

26 Oct 2012 — 04 Jan 2013
Mein Gebiet

Luca Cutrufelli

21 Jun 2012 — 30 Jul 2012
Genealogia #2

Giovanni Ozzola, Remo Salvadori

16 Mar 2012 — 29 Apr 2012
Genealogia #1

Emanuele Becheri, Carlo Guaita

21 Sep 2011 — 10 Nov 2011


João Freitas

14 Sep 2018 — 04 Nov 2018
Opening: 14 Sep 2018


The exhibition presents a series of works that coherently follow the artist’s research focused on the use of materials extracted from the usual contexts and projected towards their alternative, tangible, aesthetic and conceptual value.

Materials that are often subjected to interventions of aging, manipulation or stripping, as if to identify the original dramatic universality that the utilitarian purpose of the object hides, to capture in them an image suspended between memory and desire. A poetics that manifests itself in the memory of the material, starting from its own characteristics, in the result - or in the residue - of a transformation that brings to the surface the structure of the material of which the figure is only a transitory reflection, as changeable as the form.

The works on show are enriched by a reflection originating from the encounter with nature in its conjugation of creator, deterministic but casual. An intimate dialogue that seeks an effective correspondence between matter and the variable that moves the act and the becoming, suspended between will and accident.
The need to give a form to the existing stops in front of the awareness of a look that partly determines the perception of the object. However, the form is only - and only - the occurrence of matter. The image almost seems to be the waste product of a process in which the elaboration of the method follows the measure of biological and inner time.
A conviction that emerges clearly in the work Notes of Comacina, realized during the residence spent on the homonymous island of Lake Como, in which “the intent to create a “sincere”drawing/portrait of nature and the moment” forces us to renounce the “perception that influences the drawing”.

Each representation betrays, because it reveals, the distance between nature and artifice. The creative act is the principle of change as the cause of oneself. The artistic gesture lies in grasping the flow of reality and all that has passed before him as an opportunity or necessity.
The desire to move away from the image as a passive element of the process and from the authoritativeness as a compromise with the material - started to undertake its own path - returns works that seem to be moments of a cycle not concluded, but inevitable.

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